The Green Book is a two-room installation built around a simple architectural division: a sheet of glass separating two simultaneous experiences. A projected text occupies one room, casting light through the glass into the adjoining space. In the second room, suspended oil paintings, metal, mirrors, flickering light, and a voice reciting the same text construct a different encounter with the same narrative. Visitors move through either side while remaining constantly aware of the other. They can see another audience through the glass but cannot access their experience directly. The projection becomes illumination for one room, while the spoken text becomes memory for the other. Rather than presenting a single work, the installation fragments the narrative across two spaces, asking how meaning shifts as it moves between image, language, sound, and architecture. The Green Book continues my interest in memory, absence, and the instability of perception. The work suggests that experience is never whole but assembled from fragments, where what remains unseen or unheard is as significant as what is present.
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